Showing posts with label zombies. Show all posts
Showing posts with label zombies. Show all posts

Saturday, November 7, 2009

Lately I've been into...

Currently reading:

"World War Z" - Max Brooks

There's been a bit of hype about "World War Z" (and zombies in general, as discussed here previously), so when I found a used copy for cheap I thought I'd check it out. That was way back in September and I'm still trying to slough through it. I'm having a weird relationship with this book: sometimes I pick it up & have a hard time getting through a chapter. Other times I get really "into" it & dig it. Suffice to say it's not great "literature". My biggest complaint about it is that although it's an interesting concept, it's not great writing. Let me qualify that: "logistically" and "technically" it's really good. It has a great concept and the story is quite ambitious. All the individual "threads" tie together nicely and it seems like the author did a lot of research (scientific, military, political) to make the whole zombie pandemic thing seem plausible. My complaint is largely that although every chapter is supposed to be "spoken" by ethnically and geographically diverse characters, to me, they all have the same literary "voice". Maybe I'm just expecting too much. It is just horror fantasy, and admittedly I'm not even finished it yet. Damn all those undergrad English lit courses I took for inhibiting my enjoyment of pulp fiction! I keep looking for symbolism and meaning instead of just entertainment!



And now having just poo-pooed on "pulp" fiction....


"Concrete" - Paul Chadwick

The editions I'm reading are not the same as pictured here, but I've been devouring volumes of Paul Chadwick's "Concrete" comics. If you're not familiar with the series, here it is in a nutshell: These are the adventures of Concrete, formerly political speech writer Ron Lithgow, whose brain is transplanted by aliens into a massive clay-like and seemingly indestructible body. Concrete is a sensitive, introspective fellow who attempts to "make lemonade" from the lemons he's been handed, and embarks on extraordinary globe-trotting adventures (eg., climbing Mt Everest solo, swimming across the Atlantic ocean, etc.), or sometimes just use his new abilities to help out people in need. Problem is there are always complications. In lesser hands, this premise would invite heavy handed slapstick, but what Chadwick gives us is just the opposite. In the style of what's good about "indie" comics, it's done in a touching, sometimes philosophic, and ever so "human" way. Another thing that appeals to me is that it's just so 1980s America. Get your hands on a copy & see what I mean. My only complaint: I am baffled as to how Concrete's assistant Larry Munro manges to score so much tail...

Currently listening to:

To be honest, I've been kind of "off" music lately.

I'm bored with my old music collection right now (I still love it mind you, just bored) and haven't found anything new that's piqued my interest. The only "current" band that I'm digging these days is Death Cab for Cutie. But as much as I like them, I really need to be a certain mood or frame of mind to listen to them because my gawd they can depress me! And yes, I'm a Morrissey/Smiths fan from way back, so I am fond of melancholy pop!

On a related note: Why do people take their taste in music so personally? Why do people take pop music so seriously? Is it because when they listen to their earphones, the music becomes the voice in their head, in essence "their" voice and it incorporates into their personality? Seriously, let's discuss this! I'd like to hear your thoughts on this.

Well, anyway, as a result, I've been listening to "talk radio" more and more. And yes, most of it is really bad. Most radio phone-in shows seem to be an open forum for the ignorant and ill-informed to shoot their mouths off. Beyond that, you do occasionally learn some interesting things, mostly from science programs. But again, news and current affairs are depressing too.

My plan for this winter is to become a real homebody. Recently we moved the tv out of the room that was originally earmarked as mine, and I've starting setting it up as my drawing studio/projects room. Hopefully I can get some time & concentration in the coming months & start working on some arts & crafts. I feel better when I'm producing something but sometimes I just seem to lack the inspiration or the focus. There are so many distractions. Sometimes I wonder if I'm a little ADHD...

Thursday, August 20, 2009

Yes, We Have No Brains!

I realize that I seem to end up talking about vampires quite frequently on this blog and I'm not really sure why... so let's give some equal time to the current horror flavour of the month: zombies.

Why are zombies so popular? Well, for one thing, they are probably the most "sex, drugs and rock n roll" of all the standard horror monsters. If you don't believe me, just take a close look at some of the legendary guitar gods and you'll see what I mean. Unlike vampires, zombies aren't sexy. They have hard living (and hard dying) written all over them. Their existence is completely from the gut, instinctual and "do as you please". Zombies just do not give a fuck about anything except for one thing: their addiction. Their whole motivation is getting their next fix. And they don't care what kind of abuse they have to suffer to get it. As for the "sex" part, well they're totally into "flesh"... only in their case, they just happen to feed on it.
On the flip side, every zombie story has its hero. The few, or the one, who wades through the mindless mob; the lone fighter in the sea of rotting humanity. Natural selection has given them the uncanny mix of brains, brawn and good luck and they manage to survive. Perhaps we identify with these characters, our feelings of alienation or individualism: "us against them", the age old conflict of man versus society. Or maybe we want to be them. Who doesn't want to be a survivor?


Beyond all that though, I think the real appeal is that at the heart of every zombie story lies a conspiracy theory. For every Raccoon City there has to be an Umbrella Corporation. Who doesn't love a juicy conspiracy theory? Every zombie outbreak can be blamed on the two most obvious perpetrators: big business or science. And who better to blame? It only confirms our suspicions that both are too rich, too powerful, and too secretive. While they play God our lives hang in the balance. Now, wouldn't a zombie outbreak be the ultimate "I told you so!"

Personally, my favourite zombie flick is "28 Days Later". For one thing, the idea of a "rage virus" strikes me as being plausible (in fact, some days I'm convinced I suffer from it myself!). Well, more plausible than waking the dead at any rate! Probably my favourite scene in the movie is when Jim, our survivor, first leaves the hospital and walks through the completely deserted London. The mood is strange and chilling, and probably one of the most effective I've ever seen in a horror film. According to my husband, the scene represents a utopia because there are no people. (He's a misanthropic sort!).

Over the past year or so I've been enjoying a variety of titles in "The Mammoth Book of..." series. These are thick anthologies on specific genres, the ones I get are different genres of comics but they make other titles as well. Admittedly, some of the stories collected therein aren't necessarily the "best" but they do cover a broad, international spectrum. The thing I enjoy most about the Mammoth Book series is that you get a nice sample of writers and artists that you might not have otherwise heard of and some of them are quite good.

In "The Mammoth Book of Zombie Comics" the gem for me was the multi-part "Dead Eyes Open" by Matthew Shepheard and Roy Boney Jr. Apparently the story came out of a failed internet project called DEADIES. This is a zombie story with a twist. Here, the zombies are rational, sentient, multi-faceted characters and the story is rather complex. Without giving away too much, the story creates a society where zombies have become a "race" and like any other minority group must the struggle for their rights and freedoms, rebel against the system and deal with prejudice. And Wil Wheaton is a character in it. Seriously. Check it out sometime.

In closing, a prediction: The next big thing will be werewolves. You've heard it here first.